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Stella Maris - Marches from Sea & Shore
Various composers

The Norwegian Navy Band Bergen

Stella Maris - Marches from Sea & Shore

Format: CD
Label: Lawo Classics
UPC: 7090020180656
Catnr: LWC 1062
Release date: 25 April 2014
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1 CD
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Label
Lawo Classics
UPC
7090020180656
Catalogue number
LWC 1062
Release date
25 April 2014
Album
Artist(s)
Composer(s)
EN

About the album

Continuing on from their succesful 'Battle of Stalingrad' CD (LWC1045), thsi release features music performed by the Norwegian Navy Band, this time with sea-related repertoire..

Artist(s)

Ingar Bergby (conductor)

Ingar Heine Bergby is one of Norway’s leading conduc­tors, with many achievements within classical music, opera, and contemporary and crossover music. He has distinguished himself as an artist with the power to shape ideas and one with passion and dedication to his work. Bergby was born in 1964 in Sarpsborg, Norway into a musical family and began playing band music. He studied clarinet with Richard Kjelstrup at the Norwegian Acad­emy of Music and later orchestra conducting there with Karsten Andersen, as well as with Jorma Panula at the Si­belius Academy. He received a degree in conducting with honours from the Norwegian Academy of Music in 1991.  
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Ingar Heine Bergby is one of Norway’s leading conduc­tors, with many achievements within classical music, opera, and contemporary and crossover music. He has distinguished himself as an artist with the power to shape ideas and one with passion and dedication to his work.
Bergby was born in 1964 in Sarpsborg, Norway into a musical family and began playing band music. He studied clarinet with Richard Kjelstrup at the Norwegian Acad­emy of Music and later orchestra conducting there with Karsten Andersen, as well as with Jorma Panula at the Si­belius Academy. He received a degree in conducting with honours from the Norwegian Academy of Music in 1991.

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Composer(s)

Jacques Offenbach

Jacques Offenbach was a German-born French composer of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffman remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year....
more
Jacques Offenbach was a German-born French composer of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffman remains part of the standard opera repertory.
Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical theatre. Finding the management of Paris' Opéra-Comique company uninterested in staging his works, in 1855 he leased a small theatre in the Champs-Élysées. There he presented a series of his own small-scale pieces, many of which became popular.
In 1858, Offenbach produced his first full-length operetta, Orphée aux enfers ("Orpheus in the Underworld"), which was exceptionally well received and has remained one of his most played works. During the 1860s, he produced at least 18 full-length operettas, as well as more one-act pieces. His works from this period included La belle Hélène (1864), La Vie parisienne (1866), La Grande-Duchesse de Gérolstein (1867) and La Périchole (1868). The risqué humour (often about sexual intrigue) and mostly gentle satiric barbs in these pieces, together with Offenbach's facility for melody, made them internationally known, and translated versions were successful in Vienna, London and elsewhere in Europe.

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Press

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Often bought together with..

Ketil Hvoslef
L'homme armé - Works by Ketil Hvoslef
Sjøforsvarets musikkorps

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